Art sleuth Fabrice Fourmanoir believes some paintings attributed to Gauguin from 1903 are fakes, including the Washington National Gallery of Art’s ” The Invocation” and the Boston Museum of Fine Art’s “Women and a White Horse.”

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Art sleuth Fabrice Fourmanoir believes some paintings attributed to Gauguin from 1903 are fakes, including the Washington National Gallery of Art’s ” The Invocation” and the Boston Museum of Fine Art’s “Women and a White Horse.”
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